
Study for a story I'm working on. Colored pencil and photoshop, playing with another new brush that gives me a nice watercolor texture.
Took advantage of some unseasonably warm weather to do some plein air painting today with fellow concept artist Andrew Bosley. We've both been inspired by the posts of James Gurney and his ongoing discussions about painting theory. Today we both independently challenged ourselves in using limited palettes of color, in the attempt to better harmonize the overall tone of the painting. I've also been trying to get a bit bolder with the opaque quality of the gouache that I've been using, often falling back to much on the transparencies of watercolor. I was reasonably happy with the results, and certainly enjoyed the break of staring into a computer monitor for an hour.
Hope to post more soon... along with some sketches in progress.




Another concept for a map that didn't make it, but this was one of the first ones that I remember stretching the canvas from my original drawing to change the composition. The whole right third was added later in Photoshop, because I wanted to show where the bridge led to. By this time I'd learned to start making custom leaf brushes to quickly create jungle foliage.
Slightly older sketch where I was trying to show a bit of the diversity of color in what some of the buildings in an old Mexican town might have, along with some of the stuff you'd find on the streets that help instill life into it, without actually having to put people in.









I checked out the page you did yesterday--
Man, it's really awesome...! I know you already had the layout done, but
did you trace that entire thing up in the brief time you were here
yesterday? If so, that's really impressive. I love all the added texture
and lighting you added from the simple layout you had.
I'm starting to really enjoy -- (although I still don't LOVE the work I'm
producing I don't HATE it like a lot of the stuff I've done in past)--
working really quickly. Not laboring over things and drawing them in a
quick and gestural manner seems to help bring out stuff that I never did
before.
That's what I see in what you're doing too. Is it because we're older and
wiser...? Or we just don't give as much of a shit anymore...?
Mike

Sketch started while waiting for midnight at the countdown for the Deadly Hallows at the local Barnes and Noble that I took my son Brendan to. Was quite fun watching all the hoopla over the release of a book. This particular fellow looked a bit out of place with plastic Potter glasses on and his frappaccino, which was good enough a reason for me to draw him. The owls were there too, though under much tighter supervision than I depict them.






For more information check out http://www.btministries.com